← Journal

[連載更新] WIRED.jp 連載「音楽の未来をつくる人」| Track 5 音楽業界にもっと多くの選択肢を:くたばれモノカルチャー Kickstarter|Yancey Strickler

This piece reflected a tension PRTL navigates constantly. Japan’s music ecosystem has its own institutional structures, and the question of whether global platform dominance serves Japan’s music culture—or constrains it—is still live. PRTL’s market entry work sits at this intersection: helping international companies engage with Japan on terms that work for local players, not just global ones.